












Kingdom of the Lamb is the latest chapter in the relentless musical vision of Salvador Maximus a heavy, uncompromising release forged at the intersection of faith, fire, and metal.
Blending crushing riffs, cinematic atmospheres, and militant intensity, Kingdom of the Lamb is not merely an album it is a proclamation. Each track stands as a testament to conviction, sacrifice, and spiritual warfare, drawing listeners into a world where strength is forged through belief and endurance.
This project marks a defining moment in Salvador Maximus’ evolution bold, unapologetic, and unwavering.
A declaration of faith.
A war cry in sound.
A kingdom built through fire.

Kingdom of the Lamb is the latest chapter in the relentless musical vision of Salvador Maximus a heavy, uncompromising release forged at the intersection of faith, fire, and metal.
Blending crushing riffs, cinematic atmospheres, and militant intensity, Kingdom of the Lamb is not merely an album it is a proclamation. Each track stands as a testament to conviction, sacrifice, and spiritual warfare, drawing listeners into a world where strength is forged through belief and endurance.
This project marks a defining moment in Salvador Maximus’ evolution bold, unapologetic, and unwavering.
A declaration of faith.
A war cry in sound.
A kingdom built through fire.
Salvador Maximus is not a comeback story.
It’s a resurrection.
Long before the name Salvador Maximus existed, he was already deep in the fire. In the late ’80s and early ’90s, under the name Max Load, he fronted the band Tsunami, a hard-hitting metal act that clawed its way onto the Billboard Heavy Metal charts with the song “The Runaround,” landing at #60—no small feat in an era dominated by giants. Tsunami toured relentlessly for nearly a decade, sharing stages with major national acts and earning a reputation as a ferocious live band. They were signed to Enigma Records in Los Angeles and managed by Diversified Management, a powerhouse agency representing some of the biggest names in rock and metal at the time.
After the original Tsunami lineup dissolved, Salvador rebuilt from the ground up—new members, same intensity. The second incarnation of Tsunami delivered the album Under Fire, recorded with legendary studio talent and produced alongside David Shogren, former bassist of the Doobie Brothers. The record earned strong reviews across both Europe and the United States, cementing Salvador’s reputation as a relentless songwriter and frontman. He later performed with guitarist Greg Goldie (Ronnie James Dio), until Goldie was called back into Ozzy Osbourne’s camp—another brush with metal royalty.
At one point, while preparing for a second album and living in Los Angeles, Salvador formed friendships with members of Megadeth, immersing himself in a scene where ambition, excess, and raw talent collided nightly. But as bands broke apart and eras ended, Salvador returned to San Jose, carrying both the highs of success and the weight of unfinished battles.
Years later, a third evolution of Tsunami emerged—this time with Salvador stepping fully into the role of lead singer under the name Salvador Maximus. The album Stand Against the Wickedness marked a turning point. The lyrics were overtly spiritual, rooted in Christian themes of truth, resistance, and righteousness—yet the band refused to wear a label. The message was there for those with ears to hear.
In 2015, Salvador reunited the strongest players from every era of Tsunami for a massive one-night stand alongside Slaughter, Cinderella, and members connected to Guns N’ Roses. It was a victory lap—but also the end of a chapter.
What followed was silence.
Behind the scenes, Salvador was fighting something far heavier than the music industry. Years of buried trauma surfaced. Depression set in. Physical illness followed. Eventually, he confronted a truth he had carried since childhood—that he had been abused. Speaking it out loud broke something open. In that moment of surrender, Salvador credits God with pulling him back from the edge.
And that’s where Salvador Maximus, the mission, was fully born.
No longer writing around faith—he wrote from it.
The result is Kingdom of the Lamb, the debut album under the Salvador Maximus name: unapologetic Christian heavy metal forged in pain, clarity, and conviction. The first half of the album features contributions from longtime brothers-in-arms from the Tsunami years. The final five tracks—written and recorded in 2025—are entirely new: Salvador on vocals and bass, writing all the music, joined by trusted collaborators on lead guitar, production, drums, and keys.
This is metal as spiritual warfare.
Riffs as resistance.
Lyrics as testimony.
Salvador Maximus has since signed a worldwide distribution deal with Lost Realm Records (Europe), who are remastering and re-releasing all three Tsunami albums with full lyric booklets—preserving the legacy while introducing it to a new generation. While those releases remain exclusive under distribution terms, Salvador is already pushing forward, currently completing a second Salvador Maximus EP—five to six new songs aimed straight at the front lines.
Decades in the game.
Survived the industry.
Survived the darkness.
Now standing armed with truth.
Salvador Maximus isn’t chasing relevance.
He’s answering a calling.
Heavy metal for the redeemed.
Music for warriors.
Stand against the wickedness.
Salvador Maximus is not a comeback story.
It’s a resurrection.
Long before the name Salvador Maximus existed, he was already deep in the fire. In the late ’80s and early ’90s, under the name Max Load, he fronted the band Tsunami, a hard-hitting metal act that clawed its way onto the Billboard Heavy Metal charts with the song “The Runaround,” landing at #60—no small feat in an era dominated by giants. Tsunami toured relentlessly for nearly a decade, sharing stages with major national acts and earning a reputation as a ferocious live band. They were signed to Enigma Records in Los Angeles and managed by Diversified Management, a powerhouse agency representing some of the biggest names in rock and metal at the time.
After the original Tsunami lineup dissolved, Salvador rebuilt from the ground up—new members, same intensity. The second incarnation of Tsunami delivered the album Under Fire, recorded with legendary studio talent and produced alongside David Shogren, former bassist of the Doobie Brothers. The record earned strong reviews across both Europe and the United States, cementing Salvador’s reputation as a relentless songwriter and frontman. He later performed with guitarist Greg Goldie (Ronnie James Dio), until Goldie was called back into Ozzy Osbourne’s camp—another brush with metal royalty.
At one point, while preparing for a second album and living in Los Angeles, Salvador formed friendships with members of Megadeth, immersing himself in a scene where ambition, excess, and raw talent collided nightly. But as bands broke apart and eras ended, Salvador returned to San Jose, carrying both the highs of success and the weight of unfinished battles.
Years later, a third evolution of Tsunami emerged—this time with Salvador stepping fully into the role of lead singer under the name Salvador Maximus. The album Stand Against the Wickedness marked a turning point. The lyrics were overtly spiritual, rooted in Christian themes of truth, resistance, and righteousness—yet the band refused to wear a label. The message was there for those with ears to hear.
In 2015, Salvador reunited the strongest players from every era of Tsunami for a massive one-night stand alongside Slaughter, Cinderella, and members connected to Guns N’ Roses. It was a victory lap—but also the end of a chapter.
What followed was silence.
Behind the scenes, Salvador was fighting something far heavier than the music industry. Years of buried trauma surfaced. Depression set in. Physical illness followed. Eventually, he confronted a truth he had carried since childhood—that he had been abused. Speaking it out loud broke something open. In that moment of surrender, Salvador credits God with pulling him back from the edge.
And that’s where Salvador Maximus, the mission, was fully born.
No longer writing around faith—he wrote from it.
The result is Kingdom of the Lamb, the debut album under the Salvador Maximus name: unapologetic Christian heavy metal forged in pain, clarity, and conviction. The first half of the album features contributions from longtime brothers-in-arms from the Tsunami years. The final five tracks—written and recorded in 2025—are entirely new: Salvador on vocals and bass, writing all the music, joined by trusted collaborators on lead guitar, production, drums, and keys.
This is metal as spiritual warfare.
Riffs as resistance.
Lyrics as testimony.
Salvador Maximus has since signed a worldwide distribution deal with Lost Realm Records (Europe), who are remastering and re-releasing all three Tsunami albums with full lyric booklets—preserving the legacy while introducing it to a new generation. While those releases remain exclusive under distribution terms, Salvador is already pushing forward, currently completing a second Salvador Maximus EP—five to six new songs aimed straight at the front lines.
Decades in the game.
Survived the industry.
Survived the darkness.
Now standing armed with truth.
Salvador Maximus isn’t chasing relevance.
He’s answering a calling.
Heavy metal for the redeemed.
Music for warriors.
Stand against the wickedness.







































































